Aldous Huxley

In 'Eupompus Gave Splendour to Art by Numbers,' the character Emberlin delights in sharing his discovery about discoveries, showcasing his ability to elevate conversations into a realm of intellectual pleasure and creativity. The narrative explores themes of perception, the power of language, and the transformative nature of ideas, revealing Emberlin's talent for crafting a new reality through words.

In 'A Deal in Old Masters,' Mr. Bigger engages with a customer who desires traditional art to reflect his newfound social status as the owner of a Manor House. The conversation reveals the interplay between art, class, and identity, highlighting the absurdity of valuing art as a mere symbol of superiority rather than for its intrinsic worth.

In 'Cynthia', Aldous Huxley reflects on his time at Oxford, sharing a humorous and introspective anecdote about his friend Lykeham. The narrative captures the essence of student life before the war, blending personal memory with a critique of self-deception in memoir writing.

In a stark contrast to the surrounding squalor, a small bookshop stands as a testament to the enduring value of literature amidst a world increasingly dominated by ephemeral trends. The shop's owner reflects on the decline of literary appreciation, lamenting the overwhelming presence of cheap journalism that overshadows classical works. This narrative captures the tension between commerce and culture in a bustling urban setting.